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The project involves a site-specific performance, an interactive visual-sound installation, a locally sourced community meal, and an engagement session with audiences to integrate the theatrical experience and explore themes of domination and resilience.Įmily Johnson/Catalyst Dance (Minneapolis, MN) – Being Future BeingĬo-commissioners: Bunnell Street Art Center (Homer, AK), Peak Performances (Montclair, NJ), New York Live Arts (New York, NY), and Portland Institute for Contemporary Art (Portland, OR)īeing Future Being examines the way that the stories we tell ourselves about how we came to be set the potentials for who we will become. Artistic Directors Marc David Piñate (Borderlands Theater) and Ricardo Araiza (Teatro Bravo) combine ensembles to create a contemporary adaptation based on ethnographic interviews with DACA recipients and Border Patrol agents.Ĭlear Creek Creative (Bighill, KY) – Ezell: Ballad of a Land ManĬo-commissioners: Carpetbag Theatre (Knoxville, TN) and Mondo Bizarro (New Orleans, LA)Įzell: Ballad of a Land Man is an environmental, cultural, and spiritual parable devised and performed from the perspective of a rural white working-class man in Appalachia reckoning with climate change, extractive resource industry, intergenerational trauma, belonging, ancestry, and generations yet to come. Can they use their show as a way to provide healing and direction to those who feel pushed to the edge and overlooked?īorderlands Theater (Tucson, AZ) – Antigone at the BorderĬo-commissioners: International Sonoran Desert Alliance (Ajo, AZ), Su Teatro (Denver, CO), and Milagro (Portland, OR)Īntigone at the Border is a collaboration between theater artists and DACA communities in Arizona, Oregon, and Denver exploring the immigration crisis through the framework of Sophocles’ Antigone. When news of a life lost hits, the two artists know they have to do something before the community explodes. Families are struggling, the youth are anxious, and Blackness is being manipulated. As they navigate through the city, they witness rising tensions and frustrations at every corner. Two emcee poets leave home to meet and prepare for their show that night. The finished work will include a touring production, an interactive online platform, and a process model for community dialogue and engagement.īlack Poetry Theatre (Durham, NC) – Death of CochiseĬo-commissioners: Hayti Heritage Center (Durham, NC) and Cape Fear Community College Wilson Center (Wilmington, NC) It explores the drone as a metaphor for how we become desensitized to daily violence, both domestic and global, and the effects of remote-control warfare on the human soul. The exploration conjures images of many feet walking away from and towards home, across time and space, crossing borders to safety and to violences, and the moments of contact between feet and ground-so evocative and pleasurable in dance-that mark complex rhythm cycles, where footwork is vibration.Ĭo-commissioners: Art2Action (Tampa, FL), Arab American National Museum (Dearborn, MI), and Contemporary Arts Center, New Orleans (New Orleans, LA)ĭRONE is a multimedia ensemble theater project integrating live music, drone technology, and artistic containers for public dialogue. Kilo Batra is being created as a companion piece to A Host of People’s latest revised work Cleopatra Boy.Īnanya Dance Theatre (Minneapolis, MN) – AgunĬo-commissioners: Skirball Cultural Center (Los Angeles, CA) and Bates Dance Festival (Lewiston, ME)Īgun deepens Chatterjea’s inquiry into footwork: as the beginning of home and belonging, as an aesthetic declaration of place and personhood in dance, and abstracted as alienation. Youssef will translate Shawqi’s play from Egyptian to English, and the adaptation will grow in deep collaboration with the theater artists of A Host of People, led by AHOP Co-Director Sherrine Azab. A Host of People (Detroit, MI) – Kilo Batra (previously The Death of Cleopatra)Ĭo-commissioners: Arab American National Museum (Dearborn, MI) and Pablo Center at the Confluence (Eau Claire, WI)Ī Host of People (AHOP) will collaborate with Lebanese-American poet Kamelya Youssef on a translated adaptation of famed Egyptian poet/playwright Ahmed Shawqi’s 1927 play The Death of Cleopatra.